art of the here & now
All in Essay
It is no secret that visual culture exists as a supplement or modifier to existing ideologies. Centuries and millennia of the creative arts have seemingly not been able to crack through the veneer of political and socioeconomic power wielded from the commanding heights of culture.
The found photo—anonymous, frequently distressed, sometimes historical but often not, diverse in subject—is prime fodder for an artist’s imagination. One can project onto it much creative speculation as it is devoid of attribution or provenance. Regardless of subject matter or condition, re-contextualized, the object itself takes on new meaning.
When the US Mint in 2022 released its Anna May Wong quarter, the fifth coin in the American Women Quarters Program, female Asian American representation got a boost. The following year, it had a pop culture moment when Mattel released the Anna May Wong Barbie, wearing a red dragon dress, in its Inspiring Women series. But who is Anna May Wong and what made her an icon?
All revolutions have the (un)fortunate side effect of altering much more than what they’ve initially set out to change. Whether we’re talking about a political act or a scientific breakthrough, a revolution begins with a magical act. What was previously seen as impossible, in a moment, is overcome. Spontaneous outbursts of mass movements (often accompanied by violence) cause major political upheavals, innovations in science and medicine cause humans to live longer or reach other planets, while artistic revolutions cause us to perceive and see in radically different ways. Revolutionary moments happen quickly. But their aftereffects can be felt for many years.
